Quotes/ Reviews

'Williams works with an amazing energy, enthusiasm and intelligence. She explores pertinent social issues'.....'and show that all humans have universal needs despite being located in different geographical settings on earth.'
The Daily Mirror (Zimbabwe) 02 March 07

'She creates dialogues between the genders. Men are not necessarily accused of causing the sexual exploitation of women, rather she questions the female stereotypes that have been created by both genders, and how these stereotypes reinforced in the glamorous worlds of the advertising, music and high fashion have been readily accepted, especially by women.'.. 'Williams's work will add to our understanding of humanity but during the journey be prepared for a bumpy ride.'
Western Mail 04 April 06

"...small talk, high heels...They examine the complexities of our human relationships, communications and misunderstandings - whether between siblings, strangers or soul mates - laying bare our need to understand others and ourselves ...a pertinent, savvy and extraordinary exhibition".
Susie Wild - Metro 18-05-06

'Sue Williams makes gutsy oil paintings, with dripping paint and lots of sex. Think female Basquiat. It's the sort of painting where the artist calculatedly combines nimble draughtmanship with sloppy brushwork.'
Review of Artes Mundi 2
Ben Lewis - The Sunday Telegraph
12 March 2006

"We will become 'cyborgs', beings whose bodies and minds have become so technologically extended that traditional sexual relations and identities will have broken down. This is not a dystopic vision, but rather an inevitable fact, which we may well embrace since it is going to happen anyway. If technological advancement really has shifted us from the 'tactile' to the 'digital' age, this apparent fact is belied by Sue Williams' art, the physical and psychological nature of which is absolutely reliant on a human life lived, and continuously redefined. This is art in a conversation with the self, as an extension of existing - it is human life as vibrant and discontented, real and imaginative, connected and about disconnection, personal and all too worryingly public. Sue Williams is not ready to be a cyborg. ......... Sexual difference is still much in evidence in Williams' work, as it certainly still is in life, the locus of a contested zone where we are doomed to play out powerful oedipal dramas again and again."
" what's up?"
the work of sue williams by sue griffith
" small talk,high heels" a Glynn Vivian touring exhibition catalogue 2006

"I find myself writing this piece for the simplest and the best of reasons: Sue Williams work grabbed me, touched me, struck me as something potent and important when I first saw it. Its rawness, its energy, and its sheer scale made me curious to see and know more. And what I have discovered is a body of work which speaks to my interests in communication and sexuality as well as exerting a visceral, emotional appeal. I enjoy the complexities of its collages, its disruptions of the canvas, and the simplicity of its points and lines; and I also respond to the contrasts Williams' images deploy: her lines are both fine and smudged, clear and blurred, hazy and precise; her subjects are both beautiful and ugly, bold and coy, their gazes sometimes reticent, often alarmingly direct.""spunk and punk"
Sadie Plant is a writer and cultural theorist based in Birmingham
" small talk, high heels" catalogue.

"Provocative, vulnerable, and sometimes playful, the female that fills and flaunts the paper and canvas packs a powerful visual punch. Savage in their honesty, the sublime is not the visual vocabulary of a Sue Williams piece of work. Williams's work will add to our understanding of humanity but during that journey be prepared for a bumpy ride".
Western Mail 04-11-05

" Eight artists from across the globe have made the shortlist of the world's largest visual arts award. And the only British artist in the running for the second Artes Mundi, Wales International Visual Art Prize is Cardiff - based Sue Williams".
Western Mail 28-09-05

"As a group these paintings and drawings form a powerful prescence...an artist with a powerful and haunting view of both her own condition, and ours".
Review 'HERS' Sarah Griffiths Western Mail 10-05-99
" Savage expressionism characterises these paintings, angry stuff".
Jonathan Jones The Guardian (G2) 29-09-99

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Publications

Imaging Wales
Contemporary art Publication in context by Hugh Adams / Seren Publications
Here & Now
Essays on contemporary art in Wales
by Iwan Bala / Seren Publications
Elsewhere
A Touring Glynn Vivian Exhibition Catalogue. 2003
Artes Mundi 2006
" Sue Williams. Her Choreography" by Iwan Bala
Imaging the Imagination
Edited by Christine Kinsey and Ceridwen Lloyd-Morgan
New Welsh Review No.71 (2006)
" Robbing the Bride" by Zoe Brigley
Small talk, high heels (2006)
Produced for Glynn Vivian touring exhibition.

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Exposure

"Ar fenthyg"
Y Sioe Gelf forS4C 2003
" The Naked and the Nude"
Zip TV Films LTD for HTV
On Show - Artes Mundi 2006
BBC2 Wales/2W by Indus films

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Contact
to contact sue: sue@nomorepink.com
for all purchase enquiries: crisial@btinternet.com